The Best Microphone For Violin Recording in 2021: Utter Lyrics

Tips on Choosing the Best Microphone For Violin Recording

What is the best microphone for violin recording? How do I make my violin sound better when recording? Is SM57 good for violin?

It's difficult to answer these questions without knowing more about what the difference is in a microphone's polar patterns and its dynamics range. What is a dynamic range? Simply put, it's the variation between noise and signal level, which can be ideal or not depending on your needs. Let's take a look at some common situations where you might need a microphone with a dynamic range.

What was that coffee shop just a few minutes ago? If you had that same sound coming out of that same coffee shop a few hours ago, would it be good or bad? It would probably be bad. Because that same coffee shop was captured by a "clean" microphone, no background noise was introduced during playback. That is the kind of thing we call a "clean band."

Just a few seconds ago, that same coffee shop recorded a 4 hour demo. A lot of people arrived for the preview and left after just one hour. Just the preview alone could have made that studio very hot - imagine how many people it would attract if just an hour of sound captured on tape! What is needed to make this recording a success is a good emulated microphone with a decent dynamics range.

Let's assume we have a perfect sounding system with no background noise and no ambient influences. What is needed to record a good performance? A dynamic mic with a good enough pickup to handle the above mentioned situation would be ideal. The most common question "what is the best microphone for violin recording" can be easily answered by describing what we want to hear. In this case, that sound is clean, yet not distorted.

Let us start with cardioid microphones. These are the best in all sense. They capture a very large area with a minimum of distortions. And let me tell you, there is nothing nicer than having the same sound from different microphones. It is a great feeling when professionals can bring their recordings to your home and you hear the same quality of sound from several pieces of equipment. Nothing beats a good cardioid mic in recording quality and it is true with any variety of instruments.

A cardioid microphone needs a diaphragm which is soft, or firm. At any given time, the diaphragm will move up and down and not stay still. There are some models which have separate capsules which are responsible for this movement. If the capsules are isolated, they will produce a lot of noise. The best recorded sounds come from capsules which are closely coupled with the diaphragm and which move with it, thereby achieving a tight and accurate signal at all times.

For this article, we will focus on the AKG C100SE. This model has a lot of nice features which help a lot in recording quality. The C100SE is not just any condenser microphone but it is also a high end microphone with a unique characteristic. What do I mean by this? By utilizing a " phantom power " technique, AKG C100SE records sounds without transmitting them through any medium or to a preamp.

For neumann KK 2000i home recording kit, it does not have an audio input. However, it does have a headphone jack which can be used to monitor the performance during a live performance. To be honest, I am not sure why neumann chose not to include an audio input. However, if you are going to spend a few hundred dollars on a microphone, why not get the best recording possible right from the box?

When comparing ribbon microphones to condenser microphones, they seem to sound similar in many respects. However, there are subtle differences that can mean the difference between a good and great recording. One thing that condenser microphones work best for is sound where the low frequencies are all over the place, while the ribbon microphone works best when the low frequencies are in perfect balance with the high frequencies.

In general, ribbon microphones are great for monitoring guitar parts because of their high estimation time. They give a defined, accurate signal which can be easily processed and stored for later replaying. However, for stringed instruments such as the violin or viola, the estimates show very little indication of any change in level during playback and in many cases, the violin will sound completely flat even after several hours ago.

On the other hand, the ribbon mic works best for open back instruments like cellos and mandolas. The problem with these instruments is that they tend to capture the airy quality of the strings and this is not something that you can hear when listening to live performances. So, if you are planning on recording your own live performance using these instruments, then the ribbon mic sounds best. However, if you are planning on recording a CD of a similar nature to that of a live performance, then a ribbon mic might not be worth the extra money you will spend on it.

Condenser microphones are also a good option when working with string quartets. However, they produce a cleaner signal with a bit more distortion compared to a ribbon mic. On the other hand, they are usually used on the stage. If you plan on making recordings of your violin concerto or string quartet, then a good recommendation would be a Neumann Model 16 Labels that has a built in compressor and a -10dB tone control.